🌼 Finding illustration jobs & opportunities on my own after being dropped by my agency

2024 so far: giving a talk about illustration as a career at a university, poster for a children’s theatre production of The Odyssey, and my second mural in Hong Kong :)

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Turning my illustrations into GIFs (illustration process + intermediate Photoshop tutorial)

This is my first time animating my drawings beyond simply Lasso-tool-ing and pivoting a limb in a drawing, or making colours fade in/out. There was a lot of back and forth, making it hard to trace my steps, but I’ll try my best to give you as streamlined a version of the process as possible. I’m also going to focus my explanation mainly on one illustration, Mobilwende, but I will also sprinkle in some insights from the others I did (a total of three animated illustrations). 

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2022 recap: “bad” year for freelancing, good year for life

Compared to 2021, I wasn’t very busy with client projects this year. On the one hand, it felt a little unsettling, but on the other hand, I know from shared and conventional wisdom 😉 that most businesses, freelance or not, go through their ups and down.

To recap, here’s what I worked on in 2023:

  • For most of the year, May - October(!) I worked on this Sex Education Brochure for WienXtra, an Austrian organisation that, in cooperation with the city of Vienna, provides information, education, events, and leisure activities for children and young people. The reason this project took so long is not the amount of work I had, but rather, limited resources / man power on the client’s side – so everything was slower than I’m used to. I wish I had better prepared myself for this, but I enjoyed working on this project all the same.

Spread of illustrated sex education brochure, with the title "Ja heißt Ja und Nein heißt Nein" (Yes means yes and no means no). The chapter deals with consent when engaging in sexual or intimate interactions.

This chapter of the brochure talks about consent.

  • So, because of this, I had more time to work on personal projects, for example this “Raclette” piece, which I finished in October: 

  • In November - December, I exhibited the above piece, along with some others, in the St. Gangolf church, Trier. 50 artists were invited to take part in the exhibition, Inspiration: St. Gangolf, to celebrate the reopening and renovation of the church (you’ll see in the pictures that Jesus himself was still going through… his face lift 😉). I actually ended up selling one of my pieces, “Hot pot” – which was a rewarding, but also kind of sad?! It felt weird to say good bye to a piece which I had worked many hours on; like saying good bye to a part of myself. But I feel reassured that it’s staying in a nice new home now!

Video of the illustrations in St. Gangolf church, Trier, and Jesus under construction lol

  • Side note – I hope you don’t mind me pitching myself – most of my works are available, on demand, as prints! Yes, even the sold works. All you have to do is ask about the artwork you are interested in, and I’ll give you a size and price from there. 

  • The last official project I worked on this year was typesetting for this photo book: Transatlantic by Tom Klein (a photographer and fellow creative of ours in Trier).


Why 2022 was this a good year “for life”

I suppose you can guess: I had more time to pursue personal goals. For example, I did a 30 day Cantonese learning challenge, followed by a 30 day reading challenge, followed/paralleled by a 30 day yoga challenge. 

What I learnt from all of these challenges is that it takes small, but consistent steps to keep yourself going. Even on my worst day, what is the smallest thing I can do to keep X habit going? And I think that helped me a lot. 

I also realised that I love learning languages, not just Cantonese – so this year I’m adding Thai, Ukrainian and French to the list – but keeping it small and manageable, of course! 


Final Reflections: no art on a dying planet

As the year came to a close, I realised that there is much more I would like to do in terms of climate activism. We are moving much too slow in terms of reducing C02 emissions, transitioning to renewables and public mobility, and ultimately avoiding climate tipping points. Huge props to fellow illustrator Holly Exley for her tireless activism + sacrifice, and confronting her audience with this issue.

The next step for me is to attend the big demonstration in Lützerath on the 14.01.23 – this German village will be destroyed and dug up to make way for a new coal mine – which will ultimately stray us far, far away from the goal of limiting the global temperature increase to 1.5°C (as laid out in the 2015 Paris agreement). Activists are trying to prevent this from happening.

The science and facts are clear. So, my question to you: if you are not (or cannot be) on the streets, what will YOU do to help mitigate this disaster? Are we going to keep applauding from the sidelines, waiting for young people to fix this?

Finally finished this piece + does “correct perspective” make good art?

FKA the piece I never thought I’d finish because I didn’t like it, but – I recently got round to it because my agency was asking for “space themed” illustrations, so that gave me a lil kick in the butt. Sometimes in life you just gotta finish things you don’t enjoy. I look at it now and think “ok, this and this part* could’ve been better, but people seem to like it anyway and at least I finished it!” Yeah that’s all. 

Space Café, July 2021

Space Café, July 2021

* If you’re curious about what in particular I’m not happy with in this piece it’s: a) the skater’s right arm b) the seated woman in the front/right – her right arm, too c) then in general the sense of depth in this environment, I’m not sure if I nailed it; perspective is not one of my strongest suit but I’m trying to improve it.

On the other hand, I can also make peace with the fact that, in general, a more symbolic perspective is more important to me than realistic perspective, ie it’s more important to me to sacrifice correct perspective in order to show certain details. I feel like if I were to show everything in 100% correct perspective, certain aspects, like a person’s outfit, or the contents of a table, might get lost. I hope that makes sense?!

If we look traditional Thai (temple) mural paintings for instance, a lot of it is completely flat! It’s definitely not true to life, but there’s a charm to this kind of representation, because it tells a story. It literally gives us a full(er) picture of the environment and what is happening in it.

I’m definitely not knocking people trying to master 3-point perspective, OK. I just think there are different ways to art good, and that’s all.